Is It a Crime to Photograph a Graffiti Artist at Work?

The arrest of LA-based photographer Jonas Lara in February for photographing graffiti artists in the process of working on a mural raised some eyebrows in the photographer community.

Lara was originally charged with felony vandalism (later reduced to a misdemeanor), his equipment was confiscated and he was held a total of 26 hours. Lara faced a possible one-year jail sentence, and a conviction would also have ruined his plans to attend an MFA program at the School of Visual Arts beginning in September.

After creating his own online legal defense fund and a finding a law firm that was willing to represent him at a heavily discounted rate, Lara was eventually able to get the charges dropped in exchange for agreeing to pay the owner of the affected building $200 for the cost of removing the mural. His equipment was due to be returned shortly after the agreement with the prosecutor was made. (See the latest news on the story from PDNPulse here.)

Although Lara escaped what could have been a career-jeopardizing conviction, the episode highlights the vulnerability of freelancers who have no access to the institutional legal support that has traditionally been available to staff photojournalists.

How would you defend yourself under similar circumstances? Will this story influence the decisions you make as an artist and/or journalist in choosing what to photograph and under what conditions? Do you carry liability insurance, and -- if so -- would it have made a difference in a situation like this?

More on the story at True/Slant, the Chase Jarvis Blog, and The Online Photographer. And while you're at it, check out Jonas Lara's online portfolio -- he does interesting work.

Tags: freelance, legal, photojournalism

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I remember seeing this post when I saw this article online. Evidently Lara has been cleared(!)

http://www.pdnpulse.com/2010/05/la-photographer-cleared-of-criminal...
I'm confused. How could a person photographing other people in the act of vandalism be charged with the act of vanalism and be forced to pay reparation? did he encourage the graphiti artists to do their work or did he just happen upon the act?
I think the key factor in this case involves the "aiding and abetting" aspect of the charges. In other words, was he helping and/or encouraging the act of vandalism? Some might argue that even the act of documenting vandalism might encourage the subculture. But if that’s the case, how can a show like “Intervention” document illegal drug use, and not be charged with aiding and abetting? Doesn’t the mere act of showing drug use to addicts encourage illicit use?

Based on police reports he wasn't charged for eight hours after being taken in, which makes me think that the police might have wanted this to be a precedent setting case; something that would set an example and deter others. I can just see a bunch of police going over the evidence in a precinct room for 8 hours, trying to see how they can pin charges on this guy, and how well the charges will stick... the charges obviously didn't stick well.

I happen to think that targeting documenters is a very slippery slope. At what point does protecting property turn into suppressing knowledge and understanding? These people are going to tag regardless, so why not learn from them and truly understand the underlying artistic, social, cultural, and political motivations? How do you stop people without learning why they are acting in the first place?

I guess this brings me back to your initial comment... I am confused too!
Yeah, the legal implications of the case are confusing indeed -- particularly when you consider that Lara' first lawyer, the public defender, refused to argue the case on First Amendment grounds, and even the lawyers he eventually hired didn't take that approach.

Although you can hardly blame Lara for taking the plea, I was disappointed because the police were able to succeed in a strategy of intimidation (a high-profile incident which will scare off others who may have had an interest in documenting the world of the graffiti artist), and the court was excused from having to provide more clarity about what's legal in this kind of situation.

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